Independent African American Film Producers Research Paper

Independent African American Film Producers - Research Paper exemplificationIndependent African American Film ProducersIndependent germinate producers are professional producers who make peculiarity films that are mostly produced outside the confines of the system of major studio apartments (Levy 29). In addition to production, as nearly as distribution, through independent companies, these producers can also distribute and/or produce their films via major studio subsidiaries.These films are also characterized by marketing them as a limited release, although there are time when the marketing campaigns can be done through wide release (Reid 48). Prior to distributing the films, independent film producers will screen their movies at film festivals. This paper will seek to give the biography of common chord independent African American film producers Tyler Perry, Spike Lee, and Ivan Dixon. Biography of Tyler Perry Born in New siege of Orleans on 13 September 1969, Tyler Perry had a difficult childhood. He has had to forge his career in the frolic industry, in which he has made various successful calculates, films, and even written books that have ended up on the best-sellers list. According to him, his childhood was difficult in a family with three other siblings where his early life was punctuated by corporal punishment by his father (Uschan 30). He once attempted to kill himself to thresh what he fathomed to be a difficult life. In an attempt to forge a life out from his father, the man born Emmitt Perry Jr. changed his name to Tyler and dropped out of high school, although he did go on to puddle a GED general equivalent later on in his life. He exactly discovered his mania after trying his hand at several unfulfilling employment opportunities. Watching Oprah Winfrey on television, he was shake by an independent filmmakers comments on the show nearly how personal breakthroughs could be brought about by difficult experiences (Uschan 31). Starting by writing a series of letters that he communicate to himself, Perry used his experiences to create his first musical I Know I drop Been Changed. While hint on the subject of his abuse as a child, Perry also touched on forgiveness, an aspect of his films that has been ever-present, reflecting the seriousness he takes his faith as a Christian (Uschan 31). His first showing of the musical in 1992 only drew an audience of 30 people. Perry was disappointed but determined and took odd jobs to fund his reworking of the project. Although he represent his show in various American cities, he was still not successful and had to live in his car for a while. Perry finally got his breakthrough in 1998 with the musical I Know I Have Been Changed, for which rented the Atlanta franchise of House of Blues. Soon he began to draw sell out crowds, forcing the musical to be moved to a theater with more sitting space (Uschan 36). He followed up this musical with an allowance of Woman Thou Art Loose d, a book by Televangelist T.D. Jakes, which also proved popular with audiences, in particular African Americans. However, it was his next project, I Can Do Bad All By Myself that brought him the success he had been craving and introduced Madea, his most famous character. He based the character of Madea on mature women in his life, including his mother, choosing to play the character by wearing a drag and changing his voice. Madea made her screen debut in diary of a Mad Black Woman in 2001 and making subsequent popular appearances in Madeas Class Reunion and Madeas Family Reunion, for which Perry toured extensively around the country in support of his films (Uschan 36). Diary of a Mad Black Woman proved a hit at the box office, have Steve Harris and Kimberly Elise as an adulterous husband, and scorned wife respectively. Perry himself made an